Prints and pastels were a Spring 2013 treat at Nanette Lepore.
Photo: Getty

Bright eyes, bright prints and bright detailing on everything from shoes to belts dominated at Nanette Lepore's Spring 2013 show at New York Fashion Week today. One of our favorite trends from this season's shows has been electric, pastel colors swept across eyes--we saw a more subdued, cat eye version at Alice + Olivia as well--and the Lepore lids were one of our favorite iterations yet. Opaque color reaching to just below the brow made the models eyes pop, whether it was in metallic peach, blue, or white. Moving from the top down, silhouettes were modern and airy, with one shoulder pieces, halters, keyholes, and more flowing into looks so bursting with prints that it looked like they were made of rainbow sherbet. After this show, we have officially found our personal color for Spring 2013 (but don't hold us to it because we like to be able to change our minds), and it's melon. Warm, orangey pink, we can't get enough. We were also wild about the mixed pastel plaids we saw on Brazilian Girls' frontwoman Sabine Sciubba, who performed her signature smooth, tropical tunes for the entirety of the show.

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Katie Holmes and Jeanne Yang at their presentation for Holmes & Yang.
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We were super stoked for Katie Holmes when we heard that Holmes & Yang, the collection that she designs with friend Jeanne Yang, would show at New York Fashion Week for the first time. Well, today was the day, and although the line's presentation was super intimate--only 150 people were permitted into the Box at Lincoln Center--the excitement was palpable in the lobby of fashion week HQ. We were walking backstage just before the presentation let out, and had to wade through a decently sized knot of photographers patiently awaiting the designer. As for the clothes themselves, (because that's what we're all here for, right?), they were prim without being stuff, clean without being sterile. Composed mostly of solid colored separates, Holmes & Yang is a completely wearable, modern line. Our one sadface about the presentation, however? Where was Suri?

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Marc By Marc Jacobs Spring 2013 collection.
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After Marc Jacobs took us on a journey to the days of the mods with his namesake show last night, we were waiting not-so-patiently for the reveal of Marc by Marc Jacobs spring 2013 at New York Fashion Week today. The collection always produces some of the most covetable pieces of the season, and is usually a slightly more whimsical and wearable take on the Marc Jacobs collection show. This season was no different--we saw echoes of Marc's stripes and bold patterns, but everything from the shapes, to the colors, to the textures was youthful and fun in the way his previous night's show was grown up and clean. The stripes, which we saw on suits and trenches at Marc Jacobs, were reinvented in slightly softer tones for Marc by Marc, and put on dresses and men's button downs. It was great. But that's not the most important thing we have to discuss here, oh no. We need to talk about scarves.

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Dresses at the Alice + Olivia Spring 2013 presentation.
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Sparkles, dramatic lines, and colored eyeliner were all in full effect at the Alice + Olivia Spring 2013 presentation at New York Fashion Week yesterday, and all in the best way. Also in present in great quantities were some of our favorite celebs, many of whom we have seen on the red carpet in the brand before. As was the case with Marc Jacobs' show for his namesake line last night, the first thing we thought when we stepped into the presentation yesterday was 'retro.' With dramatic, floor skimming a-line gowns; fluttery chiffon; and short, structured dresses, all straight out of a more modern Mad Men. All cinched waists and classic feminine shapes, the collection was every stars dream, with dresses that would look as incredible on the red carpet as they do in the designer's showroom. While the collection as a whole was quite prim, it was nowhere near being stuffy--the pieces maintained that undeniable sexiness that a perfectly fitted and constructed garment lends to a woman, bringing out the natural curves of her body without overpowering. The collection also avoided the trap of being too cute, while still being, well, cute. There were no little girl frills or ruffles here, and each dress was very clearly made for a woman, and wasn't just a big version of a whimsical princesses look (yuck). The makeup was also a highlight, where models wore thick cat eyes in electric blue, pure white and black of course. We totally want to try our hand at a bright blue cat eye sometime, we just need to figure out the right occasion. This makeup look is also giving us some ideas about what we want to try for the holidays. Gold cat eye, anyone? Yes please.

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Lady Gaga's meat dress from the 2010 VMAs is now available to see (not smell, fortunately) in a new exhibit.
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First things first: we wouldn't recommend thinking too hard about some of the details of what we're about to talk about if you're planning on eating anytime soon. Ok, public service announcement over with...do you wanna see Lady Gaga's meat dress in the flesh (how could we resist)? We know that we've been curious as to what happened to the famous piece of sartorial charcuterie since Mama Monster wore it to the 2010 VMAs. Did it get thrown out? Frozen? Did someone eat it? Turns out the answer is none of the above--the dress and matching boots were preserved (turned into jerky, we think) and painted to maintain the original color and are now on display at Washington D.C.'s National Museum of Women in the Arts. Part of an exhibit called "Women Who Rock: Vision, Passion, and Power" from the Rock and Roll Hall Of Fame and Museum in Cleveland, is in Washington until January 6th, when it continues its tour through Omaha, Seattle, and Phoenix.

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Low slung skirts were a departure from higher, cinched waitslines of past seasons.
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While we want to save the trend reporting for later in the week, there is one thing that we just have to mention: Spring 2013 is all about classic, retro shapes. That could be said for every season, as everything old is new again with each collection, there are no new trends, and so on and so forth, but there really is a distinctly time warp vibe to many of the shows that we've been to, and Marc Jacobs was no exception. His show at the armory opened with a look that was without a doubt an ode to Twiggy--a coltish blonde model with her hair pulled back, bangs pushed forward in a faux-bob, wearing an oversize white t-shirt with a black bar design (a la Black Flag) over what appear to be a pair of black bikini underwear. It's pure mod simplicity, playing the casual, so-basic-it's-high-art ease of the t-shirt alongside the bare youth of the model's legs. What followed from there were a series of striped looks that appeared straight out of London or New York in the 1960's: urbane, practical, but not without a distinct sense of fun and adventure. Boxy trench coats and suits that were just a little left of classic dominated the early part of the show in shades of black, nude, slate, with the a pop of leopard print breaking up the uniformity here and there. Models wore the skirts much lower than we've been seeing the past few seasons, with exposed hips peeking between skirts and blazers, which were worn sans shirt underneath. With clean, slim, and straight silhouettes that reminded us of the costumes that Mia Farrow wore as the title character in Roman Polanski's Rosemary's baby, suit jackets were certainly not the sexy menswear inspired looks we've been seeing on red carpets (remember Taylor Swift and Kat Graham at the VMAs?). Skirts ranged from pencil to a-line, but fell below the knees. Where's the whimsey, you ask? A skirt paired with a cropped sweatshirt emblazoned with a black and white screen print of Mickey Mouse reminded us of Azealia Banks' "212" look, and was a reason to smile amid a sea of serious fashion.

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Lady Gaga in her London wedding dress look.
Photo: Splash News

A meat dress is shocking, but there's really something about an out of context wedding dress that gets people all riled up. Lady Gaga sported her bridal best to a party celebrating the Paralympic games closing ceremonies, at which both Rihanna and Jay-Z performed, in London last night, and while the gown was certainly not the kind of demure look a lot of women are going for, it was certainly chic. This also isn't the first time Mama Monster has made the rounds in nuptial attire--she wore her mother's wedding dress in the video for "You and I," and was recently spotted trying on dresses with some girlfriends (which of course set the internet all aflutter). The white gown featured a peplum and a train along with the aforementioned super revealing sweetheart (and then some) neckline, and although we have no word yet on who designed the masterpiece, we have some ideas. Gaga also paired the gown with a veil-turned-turban, a veeery interesting accessory if we do say so ourselves.

There's something very Madonna about the look, which, although it looks nothing like the material girl's notorious 1984 VMA dress, it's the attitude that's similar. Nothing like going out on a night on the town in a dress that would typically be worn on a more serious, albeit still joyful, occasion.

What do you think of Lady Gaga's wedding gown?

Like us on Facebook so we can be friends and follow us on Twitter @MTVstyle to talk.

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Rihanna performing in Jeremy Scott's M16 sunglasses on the VMAs.
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What began as a typical performance flourish quickly turned into big time fashion drama when Rihanna took to the stage at the 2012 VMAs wearing a one of a kind sample of Jeremy Scott's Spring/Summer 2013 M16 sunglasses, but left without them, having tossed them into the crowd. The designer, who is showing his collection, inspired by the middle east and called "Arab Spring," at New York Fashion Week this Wednesday, took to twitter, confirming that "YES THOSE WERE [his] 24K GOLD M16 SHADES THAT RIHANNA WORE TO OPEN THE VMAs," and then imploring fans for their return by saying, " IF UR DA1 WHO CAUGHT EM PLZ GIVE EM BACK !"

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Models strutted their stuff in Google's futuristic glasses at NYFW.
Photo: Getty

The future is nearly here, and we got to take a glimpse into it at Diane Von Furstenberg's Spring 2013 show at New York Fashion Week today. Google has been slowly but surely giving us more information on their mysterious Project Glass for a while now, but there are many questions left unanswered, and for a lot of people who aren't diehard tech junkies, this might be their first look at the project within a larger context. First, a little more info: Google Glass is a device that's worn much like a pair of glasses, and might one day even be able to be worn attached to a pair of prescription shades or sunnies, that functions much like an iPhone or digital camera but is totally hands free. At the end of her runway show today, DVF herself was wearing the device, and could be seen mouthing "I'm filming you" to the lovely people in the front row (which included Sarah Jessica Parker and Bravo's Andy Cohen) as she took her bow accompanied by Google co-founder Sergey Brin. Honestly, though, we're not entirely sure how the glass works, and neither, it seems, are fans of both the glass and DVF, who, when the designer posted photos taken with it to her Google+ page, kept asking about the user interface. Do you talk to it, like Apple's Siri? CAN IT READ YOUR MIND? What we do know is that it takes pretty great photos, and the designer and her staff have been using both the photo and video functions to record on the runway and off, to be released as a short film on Thursday September 13th. Check out more photos seen "thruglass" as DVF's hashtag so poetically puts it, after the jump.

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Rita Ora went from wearing a custom Pucci jumpsuit to a white feathered mermaid style gown to present at the VMAs.
Photo: Getty

We've already sung many praises for Rita Ora's custom, super sparkly Pucci jumpsuit since we first clapped eyes on it on the VMA red carpet yesterday. Besides being unbelievably lavish and completely perfect for Rita, the partially sheer jumper was also part of a lace and sheer trend that we're totally planning to incorporate into our own wardrobes this fall. We thought she had reached--no pun intended--sheer sartorial perfection, but then the show started and she came on stage to present the award for Best Male Video and. We. Died. Rita had changed out of her jumpsuit and into a GORG Stephane Rolland couture gown in a pure, angelic white, with black harness-style detailing and feathered shoulders. It's basically the most amazing dress we have ever seen. We're also totally into the fact that Rita wore makeup that could transition between the two totally different looks. Maybe she just couldn't decide which one to wear? We wouldn't have been able to either. Watch Rita's interview with Red Carpet Report host Holland Roden and get the low down, and a closer look, on her red carpet outfit.

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Featured Comment

I love these two as a couple. What a festive way to celebrate two important events in their life. Mariah looks like a dream.

Posted by Journey on Mariah Carey And Nick Cannon Shut Down Disneyland To Renew Vows In Cinderella-Themed Ensembles
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